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A Knight of the Word
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Praise for THE WORD & THE VOID TRILOGY
RUNNING WITH THE DEMON
“A breathtaking run of near-catastrophes and revelations … His fans should embrace it was eagerly as they have The Sword of Shannara.”
—Publishers Weekly (starred review)
“I will be thinking about Running with the Demon for weeks, savoring a magnificent story and turning over its mysteries in my mind.… Terry Brooks’s best yet, and a treat for us all!”
—Ann Rule
“By far the best of Terry Brooks’s many wonderful novels: darker, starker, classically written, and with a brand-new mythos to fuel its contemporary plot. I couldn’t put it down.”
—John Saul
A KNIGHT OF THE WORD
“One of Brooks’ great strengths has always been his characterization. This time out, it’s no different. It is that depth of character that draws the reader in and plays havoc with emotions. Ross’s plight and his loss of faith is well-conceived and chillingly real. So too is Nest’s reluctance to get involved in something she would really rather choose to ignore … a sure bet.”
—SF Site
ANGEL FIRE EAST
“That is Brooks’ way of casting spells—transporting his readers into plausible realms where sorcery is alive, whether those places are in other ages or right in the middle of our own. As a result, he’s reaped more than a few magical moments.”
—Seattle Times
A Knight of the Word is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
2007 Del Rey Books Mass Market Edition
Copyright © 1998 by Terry Brooks
Excerpt from Armageddon’s Children copyright © 2007 by Terry Brooks
All rights reserved.
Published in the United States by Del Rey Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.
Del Rey is a registered trademark and the Del Rey colophon is a trademark of Random House, Inc.
Originally published in hardcover in the United States by Del Rey Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., in 1998.
eISBN: 978-0-345-44459-2
www.delreybooks.com
v3.1
Prologue
He stands on a hillside south of the city looking back at the carnage. A long, gray ribbon of broken highway winds through the green expanse of woods and scrub to where the ruin begins. Fires burn among the steel and glass skeletons of the abandoned skyscrapers, flames bright and angry against the washed-out haze of the deeply clouded horizon. Smoke rises in long, greasy spirals that stain the air with ash and soot. He can hear the crackling of the fires and smell their acrid stench even here.
That buildings of concrete and iron will burn so fiercely puzzles him. It seems they should not burn at all, that nothing short of jackhammers and wrecking balls should be able to bring them down. It seems that in this postapocalyptic world of broken lives and fading hopes the buildings should be as enduring as mountains. And yet already he can see sections of walls beginning to collapse as the fires spread and consume.
Rain falls in a steady drizzle, streaking his face. He blinks against the dampness in order to see better what is happening. He remembers Seattle as being beautiful. But that was in another life, when there was still a chance to change the future and he was still a Knight of the Word.
John Ross closes his eyes momentarily as the screams of the wounded and dying reach out to him. The slaughter has been going on for more than six hours, ever since the collapse of the outer defenses just after dawn. The demons and the once-men have broken through and another of the dwindling bastions still left to free men has fallen. On the broad span of the high bridge linking the east and west sections of the city, the combatants surge up against one another in dark knots. Small figures tumble from the heights, pinwheeling madly against the glare of the flames as their lives are snuffed out. Automatic weapons—fire ebbs and flows. The armies will fight on through the remainder of the day, but the outcome is already decided. By tomorrow the victors will be building slave pens. By the day after, the conquered will be discovering how life can sometimes be worse than death.
At the edges of the city, down where the highway snakes between the first of the buildings that flank the Duwamish River, the feeders are beginning to appear. They mushroom as if by magic amid the carnage that consumes the city. Refugees flee and hunters pursue, and wherever the conflict spreads, the feeders are drawn. They are mankind’s vultures, picking clean the bones of human emotion, of shattered lives. They are the Word’s creation, an enigmatic part of the equation that defines the balance in all things and requires accountability for human behavior. No one is exempt; no one is spared. When madness prevails over reason, when what is darkest and most terrible surfaces, the feeders are there.
As they are now, he thinks, watching. Unseen and unknown, inexplicable in their single-mindedness, they are always there. He sees them tearing at the combatants closest to the city’s edges, feeding on the strong emotions generated by the individual struggles of life and death taking place at every quarter, responding instinctively to the impulses that motivate their behavior. They are a force of nature and, as such, a part of nature’s law. He hates them for what they are, but he understands the need for what they do.
Something explodes in the center of the burning city, and a building collapses in a low rumble of stone walls and iron girders. He could turn away and look south and see only the green of the hills and the silver glint of the lakes and the sound spread out beneath the snowy majesty of Mount Rainier, but he will not do that. He will watch until it is finished.
He notices suddenly the people who surround him. There are perhaps several dozen, ragged and hollow-eyed figures slumped down in the midday gloom, faces streaked with rain and ash. They stare at him as if expecting something. He does not know what it is. He is no longer a Knight of the Word. He is just an ordinary man. He leans on the rune-carved black staff that was once the symbol of his office and the source of his power. What do they expect of him?
An old man approaches, shambling out of the gloom, stick-thin and haggard. An arm as brittle as dry wood lifts and points accusingly.
I know you, he whispers hoarsely.
Ross shakes his head in denial, confused.
I know you, the old man repeats. Bald and white-bearded, his face is lined with age and by weather and his eyes are a strange milky color, their focus blurred. I was there when you killed him, all those years ago.
Killed who? Ross cannot make himself speak the words, only mouth them, aware of the eyes of the others who are gathered fixing on him as the old man’s words are heard.
The old man cocks his head and lets his jaw drop, laughing softly, the sound high and eerie, and with this simple gesture he reveals himself He is unbalanced—neither altogether mad nor completely sane, but something in between. He lives in a river that flows between two worlds, shifting from one to the other, a leaf caught by the current’s inexorable tug, his destiny beyond his control.
The Wizard! The old man spits, his voice rising brokenly in the hissing sound of the rain. The Wizard of Oz! You are the one who killed him! I saw you! There, in the palace he visited, in the shadow of the Tin Woodman, in the Emerald City! You killed the Wizard! You killed him! You!
The worn face crumples and the light in the milky eyes dims. Tears flood the old man’s eyes and trickle down his weathered cheeks. He whispers, Oh, God, it was the end of everything!
And Ross remembers then, a jagged-edged, poisonous memory he
had thought forever buried, and he knows with a chilling certainty that what the old man tells him is true.
John Ross opened his eyes to the streetlit darkness and let his memory of the dream fade away. Where had the old man been standing, that he could have seen it all? He shook his head. The time for memories and the questions they invoked had come and gone.
He stood in the shadows of a building backed up on Occidental Park in the heart of Pioneer Square, his breath coming in quick, ragged gasps as he fought to draw the cool, autumn night air into his burning lungs. He had walked all the way from the Seattle Art Museum, all the way from the center of downtown Seattle some dozen blocks away. Limped, really, since he could not run as normal men could and relied upon a black walnut staff to keep upright when he moved. Anger and despair had driven him when muscles had failed. Crippled of mind and body and soul, reduced to an empty shell, he had come home to die because dying was all that was left.
The shade trees of the park loomed in dark formation before him, rising out of cobblestones and concrete, out of bricks and curbing, shadowing the sprawl of benches and trash receptacles and the scattering of homeless and disenfranchised that roamed the city night. Some few looked at him as he pushed off the brick wall and came toward them. One or two even hesitated before moving away. His face was terrible to look upon, all bloodied and scraped, and the clothes that draped his lean body were in tatters. Blood leaked from deep rents in the skin of his shoulder and chest, and several of his ribs felt cracked or broken. He had the appearance of a man who had risen straight out of Hell, but in truth he was just on his way down.
Feeders gathered at the edges of his vision, hunchbacked and beacon-eyed, ready to show him the way.
It was Halloween night, All Hallows’ Eve, and he was about to come face-to-face with the most personal of his demons.
His mind spun with the implications of this acknowledgment. He crossed the stone and concrete open space thinking of greener places and times, of the smell of grass and forest air, lost to him here, gone out of his life as surely as the hopes he had harbored once that he might become a normal man again. He had traded what was possible for lies and half truths and convinced himself that what he was doing was right. He had failed to listen to the voices that mattered. He had failed to heed the warnings that counted. He had been betrayed at every turn.
He stopped momentarily in a pool of streetlight and looked off into the darkened spires of the city. The faces and voices came back to him in a rush of sounds and images. Simon Lawrence. Andrew Wren. O’olish Amaneh. The Lady and Owain Glyndwr.
Nest Freemark.
Stefanie.
His hands tightened on the staff, and he could feel the power of the magic coursing through the wood beneath his palms. Power to preserve. Power to destroy. The distinction had always seemed a large one, but he thought now that it was impossibly small.
Was he still, in the ways that mattered, a Knight of the Word? Did he possess courage and strength of will in sufficient measure that they would sustain him in the battle that lay ahead? He could not tell, could not know without putting it to the test. By placing himself in harm’s way he would discover how much remained to him of the power that was once his. He did not think that it would be enough to save his life, but he hoped that it might be enough to destroy the enemy who had undone him.
It did not seem too much to ask.
In truth, it did not seem half enough.
Somewhere in the distance a siren sounded, shrill and lingering amid the hard-edged noises that rang down the stone and glass corridors of the city’s canyons.
He took a deep breath and gritted his teeth against the pain that racked his body. With slow, measured steps, he started forward once more.
Death followed in his shadow.
Sunday,
October 28
Chapter 1
It was dawn when she woke, the sky just beginning to brighten in the east, night’s shadows still draping the trunks and limbs of the big shade trees in inky layers. She lay quietly for a time, looking through her curtained window as the day advanced, aware of a gradual change in the light that warmed the cool darkness of her bedroom. From beneath the covers she listened to the sounds of the morning. She could hear birdsong in counterpoint to the fading hum of tires as a car sped down Woodlawn’s blacktop toward the highway. She could hear small creaks and mutterings from the old house, some of them so familiar that she remembered them from her childhood. She could hear the sound of voices, of Gran and Old Bob, whispering to each other in the kitchen as they drank their morning coffee and waited for her to come out for breakfast.
But the voices were only in her mind, of course. Old Bob and Gran were gone.
Nest Freemark rose to a sitting position, drew up her long legs to her chest, rested her forehead against her knees, and closed her eyes. Gone. Both of them. Gran for five years and Old Bob since May. It was hard to believe, even now. She wished every day that she could have them back again. Even for five minutes. Even for five seconds.
The sounds of the house wrapped her, small and comforting, all part of her nineteen years of life. She had always lived in this house, right up to the day she had left for college in September of last year, a freshman on a full ride at one of the most prestigious schools in the country. Northwestern University. Her grandfather had been so proud, telling her she should remember she had earned the right to attend this school, but the school, in turn, had merited her interest, so both of them should get something out of the bargain. He had laughed, his voice low and deep, his strong hands coming about her shoulders to hold her, and she had known instinctively that he was holding her for Gran, as well.
Now he was gone, dead of a heart attack three days before the end of her first year, gone in a moment, the doctor said afterward—no pain, no suffering, the way it should be. She had come to accept the doctor’s reassurance, but it didn’t make her miss her grandfather any the less. With both Gran and Old Bob gone, and her parents gone longer still, she had only herself to rely upon.
But, then, she supposed in a way that had always been so.
She lifted her head and smiled. It was how she had grown up, wasn’t it? Learning to be alone, to be independent, to accept that she would never be like any other child?
She ticked off the ways in which she was different, running through them in a familiar litany that helped define and settle the borders of her life.
She could do magic—had been able to do magic for a long time. It had frightened her at first, confused and troubled her, but she had learned to adapt to the magic’s demands, taught first by Gran, who had once had use of the magic herself, and later by Pick. She had learned to control and nurture it, to find a place for it in her life without letting it consume her. She had discovered how to maintain the balance within herself in the same way that Pick was always working to maintain the balance in the park.
Pick, her best friend, was a six-inch-high sylvan, a forest creature who looked for the most part like something a child had made of the discards of a bird’s nest, with body and limbs of twigs and hair and beard of moss. Pick was the guardian of Sinnissippi Park, sent to keep in balance the magic that permeated all things and to hold in check the feeders that worked to upset that balance. It was a big job for a lone sylvan, as he was fond of saying, and over the years various generations of the Freemark women had helped him. Nest was the latest. Perhaps she would be the last.
There was her family, of course. Gran had possessed the magic, as had others of the Freemark women before her. Not Old Bob, who had struggled all his life to accept that the magic even existed. Maybe not her mother, who had died three months after Nest was born and whose life remained ar enigma. But her father … She shook her head at the walls. Her father. She didn’t like to think of him, but he was a fact of her life, and there was enough time and distance between them now that she could accept what he had been. A demon. A monster. A seducer. The killer of both her mother and her grandmother. Dead now,
destroyed by his own ambition and hate, by Gran’s magic and his own, by Nest’s determination, and by Wraith.
Wraith. She looked out the window in the diminishing shadows and shivered. The ways in which she had been different from other children began and ended with Wraith.
She sighed and shook her head mockingly. Enough of that sort of rumination.
She rose and walked into the bathroom, turned on the shower, let it run hot, and stepped in. She stood with her eyes closed and the water streaming over her, lost in the heat and the damp. She was nineteen and stood just under five feet ten inches. Her honey-colored hair was still short and curly, but most of her freckles were gone. Her green eyes dominated her smooth, round face. Her body was lean and fit. She was the best middle-distance runner ever to come out of the state of Illinois and one of the best in history. She didn’t think about her talent much, but it was always there, in much the same way as her magic. She wondered often if her running ability was tied in some way to her use of the magic. There was no obvious connection and even Pick tended to brush the suggestion aside, but she wondered anyway. She had been admitted to Northwestern on a full track-and-field scholarship. Her grades were good, but it was her athletic skills that got her in. She had won several middle-distance events at last spring’s NCAA track-and-field championships. She had already broken several college records and one world. In two years the summer Olympics would be held in Melbourne, Australia. Nest Freemark was expected to contend for a medal in multiple running events. She was expected to win at least one gold.
She turned off the shower, stepped out onto the mat, grabbed a towel, and dried herself off. She tried not to think about the Olympics too often. It was too distant in time and too mind-boggling to consider. She had learned a hard lesson when she was fourteen and her father had revealed himself for what he was. Never take anything in your life for granted; always be prepared for radical change.